Friday, June 6, 2014

Writing for the Ear

I've spent the last four Fridays teaching a creative writing class called "Writing for the Ear" to NCBI service users in Dublin. The aim of the course was that each person write a short piece about an event in their life.  Something from their childhood, something that's happening now, something that affected them or their perceptions and how it changed them. Designed to suit all levels of writing; from the experienced to the novice. I covered how to get started, engaged listening and reading, the narrative arc, language use, editing, critique and constructive criticism.
Listening to other people's stories on StoryCorps and Sunday Miscellany gave us lots of inspiration

I had the most amazing time. It was such a privilege to be able to help each participant write their story and listen to the finished pieces. It was especially great to hear, not only the stories of people who had never written before but, how much they enjoyed doing it!

I'll act as producer as each participant records their story in the NCBI studios. Once the finishing touches are applied we will have a CD book which we hope to launch at the Dun Laoghaire Social Inclusion Week in October, 2014. So keep an eye out on my blog for updates.
In the long term I hope to oversee an archive of stories from unheard voices. Stories that you would never have heard otherwise. Personal experiences and stories that will enrich your own life once you've heard them. I know that sentence sounds grandiloquent, but believe me once you've heard the stories you'll agree.

If you have any enquires about this project please feel free to contact me!


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Thursday, May 29, 2014

Letters

 


Jami Attenberg is the author of four books of fiction, including The Middlesteins. Her next book, Saint Mazie, is forthcoming in 2015.

Friday, May 23, 2014

Learn the Braille Alphabet at Trade School Dublin


*******Trade School Dublin June 7th session cancelled :( Its likely my class will go ahead at a later date so keep an eye on the website for another date *******

I'll be giving a crash course in the Braille alphabet at Trade School Dublin at 11.30 am Saturday June 7th. You can sign up here. Its a really cool project on Dominick Street, an area of Dublin that's changing from the grass roots upwards. I think this part of town is one to watch.

So what exactly is Trade School?
"Trade School Dublin is an alternative learning community that runs on barter. Trade School helps people share skills, ideas, experiences and resources ... Trade School celebrates hands on knowledge and experience. It is a place to learn with other people who value practical wisdom, mutual aid, and the social nature of exchange.
Trade School is not about promoting brands, projects or companies - people offer to teach something they are skilled at or passionate about that they want to share with others. Classes can be on anything from computer skills, baking bread, philosophy, bicycle repair, brick casting, growing food, how to play the blues or circus skills.
Students and teachers gather in a space that is made available by Trade School organisers. Students give barter items to the teacher, and class begins.
Barter does not mean haggling or bargaining. It simply means the social exchange that takes place when you offer someone an object, some advice, or a new skill in exchange for their knowledge."

What will the class be about?
Once you start looking for it, Braille is everywhere. A fundamental part of the city for people who are blind and vision impaired. Are you curious about the bumps on the stop button on the bus? What about in the lift in your building? Then this is the class for you. Learn the Braille alphabet and discover a side of the unseen city.

Thursday, May 15, 2014

Lacuna [2] at Taylor Galleries


Lacuna [2] runs at the Taylor Galleries, 16 Kildare Street, D2 from the 9th-31st May. It features the work of Neil Carroll, Cora Cummins, Sarah Jane Finnegan, Gillian Lawler, Shane Murphy, Sonny Ortolano.
Through a strange mini series of events, involving work related cassette tapes advertised on free-cycle and cassette boxes, a sample piece of Braille that I had produced made its way into the hands of the artist Shane Murphy. He was intrigued, as most people are when they first come across it. Subsequently I produced the Braille for a pamphlet that he displayed at an exhibition at The Library Project in Temple Bar. Apparently it went down a treat. That's not a part of the Lacuna exhibition but some of his other pieces are.
They are captivating. Ethereally dominating the room in a most unexpected way. Delicate but strong at your feet, tying in corners, lines and intersections. At once a-side and an integral part of the space.




Or just as you step inside a room. Dominating with its fragility. All eyes cast downwards.

 
 
Hanging in the high corner, then, like a cobweb. Its structure independent but completely dependent on the walls that hold it. Its scaffolding. You just never know what you're going to see when you look skywards.



And finally this, not because it was a part of the exhibition but because it captured me. The contradiction of a covered window. For me the window is one of the most important features in an exhibition. I find myself spending as much time looking at what is on the walls as I do looking through them gazing out to the messy art of life.


Monday, April 21, 2014

Chocolate (what else?!) and Hazelnut Easter Cake


I'll create any excuse to make a cake really - but its nice to push the culinary boat out every once in a while. This is really delicious it also happens to be gluten free. Take care when folding in all of the 'air added' ingredients and you'll end up with a really light cake. Topping it with chocolate turns this cake into a delicious giant gianduja experience.
I took this recipe from Bake by Rachel Allen, making a few tweaks of my own. I used a 7 1/2 inch loose bottom tin, greased and lined with parchment paper.




Ingredients:
200g (skin on) hazelnuts
1 tsp GF baking powder
100g softened butter
2 tbsp cocoa powder
5 eggs separated into two bowls
150g castor sugar
pinch of salt

1- Preheat fan oven to 160C.
2- Grind the hazelnuts in a food processor. I ground them as fine as my machine would allow me catching it just before it started to turn into hazelnut butter! Tip into a bowl and stir through the baking powder and cocoa powder before creaming in the butter.
3- With a hand held mixer whip the egg yolks and sugar until it becomes thick and mousse-y and the mixer leaves a trail. Carefully fold this into the hazelnut mixture.
4- Add the pinch of salt to the egg whites and whisk to stiff peak stage. Carefully fold this into the nut mixture in three stages.
5- Pour into the tin, giving it a few taps to even the surface. Bake for 40-45 minutes or until a skewer comes out clean.
6- Allow it to cool on cooling rack for about 20 minutes before removing from the tin. Then allow it to cool completely before adding the icing.

Ganache ingredients
100g 85% chocolate, broken into pieces
100ml cream
knob of butter
squeeze of honey (about 1/2 tbsp)

1- Heat the cream in a stainless steel pot over a gentle heat. Remove from heat just before it reaches boiling point.
2- Add the chocolate, butter and honey and allow to sit. The heat of the cream will melt the chocolate.
3- After 5-10 minutes stir everything together and allow to cool slightly before generously smearing the cake with the icing and licking the spoon clean.

Friday, April 11, 2014

On leaving a place behind

A very good friend is leaving behind her life in London and returning to the Pacific seaboard; her (other) hometown of San Francisco. To say I'm going to miss her is an understatement. We've known each other for nearly a decade. Many decades will follow I'm sure, but this move is the end of an era. The end of one thing is only the beginning of another. And leaving a place behind is simply leaving a place behind - everything else travels with you.

Lara wrote a beautiful piece on her blog about leaving one home for another.

leaving home

it finally hit me.  today.  after weeks of only half believing it.  i’m leaving london.
my room’s bare. outside albion drive is bathed in sunshine and spring flowers, all this newness, all this change.
the aussie from the shipping company picked up my six ‘destination: sfo-usa’ boxes this morning, efficient, skilled, oblivious to me walking behind the boxes to the van, as if behind a funeral hearse, a procession.
my belongings are in transit, they’re in between here and there, a little like my head these past weeks piecing together a new life in california, while feeling more rooted than ever in my life and friends and favourite places in london.  a slow dissolving of commitments, of the responsibilities and possessions that hold me here.  and now with majority of my stuff gone and my room with its small piles of clothes and toiletries and whatnots, another string is cut.  in five days i’ll leave this home and this country.
the boxes, the size is called tea carton, are in a truck now racing towards a warehouse near the airport to be weighed, to be measured, to be inspected. inside my collections of green woods 1950s teacups and the jam jars and borough wine reusable bottles, samira’s ceramic bowl, my down duvet, my trinkets and postcards and posters and blankets and dishes and cutlery and books and books and books.  my years here, nearly ten, packed hurriedly and ferried away.
what to keep, what to bring to charity shops.  these decisions over the past weeks have surprised me, how sentimental i am over stuff, some of it found on sidewalks, bought for fifty pence at jumble sales, some of it gifted, most of it bought, as if in all this stuff, there will be an understanding of my time here that i can take with me, that will remind me of who and where i have been in this future life, tentative, unformed, of my london, edinburgh and st andrews stories, the choices i’ve made, the experiences i’ve had, the friends, and walks and quiet moments shared. 
 
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